A couple of new publications cite and contextualize our work with the BODYCODER -
'Blood, Sweat & Theory: Research through Practice in Performance' by John Freeman which examines aspects of our making process and '
Kinesthetic Empathy in Creative and Cultural Practices' an edited volume by Dee Reynolds and Matthew Reason - that offers some very interesting exploration and case studies in empathy, embodiment and performance not only from the performers point of view but also in terms of audience engagement.